An Open Letter to Hollywood
Normally, Hollywood, I would not address you personally,
but I know you've been going through some hard times since
the beginning of the summer, and I'm here to help you out.
It's been a difficult year, I know, but you've brought it
upon yourself. I'm not here to give you a hug and make you
feel better, I'm here to give you a swift kick in the nards
and tell you to get your shit in order. Box office receipts
are down, less and less people are going to the theaters,
movies presumed to be big hits are flopping miserably, and
let's be honest, you have no one but yourself to blame.
Hollywood, you have spent too many years assuming that
people will buy tickets to movies just because they pander
to your choice demographics. You keep believing that males
aged 12-25 are going to go see Supercross: The
Movie because it's got hot chicks and fast bikes,
regardless of the quality of the film. But I've got news
for you, Hollywood. Males aged 12-25 aren't as stupid as
you might think. Sometimes, they realize when they're being
pandered to, and they realize that what you're putting out
is crap, even if it does have hot chicks and fast bikes.
People have plenty of TV and Internet where they can see
that. The same goes for the ladies. Sure, a few misguided
souls dragged their significant others to see
Hitch , surely causing a precipitous rise in
domestic violence levels, but again, it wasn't the box
office hit you hoped. And how many more lame romantic
comedies will it take before you realize that you can't
guarantee an audience by putting together two wackily
mismatched celebrities who fall deeply in love after a
series of fortunate coincidences. Just remember that for
every nominally successful Hitch , there's a pile
of worthless, predictable bombs like Must Love
Dogs, or Monster-in-Law. Is Hitch
any better than those movies? Good lord no. Hollywood, you
just got lucky that time, and if you keep making the same
goddamned movie with the presumption that love starved
single women and attached women who hate their boyfriends
will keep filing in to the theaters, your luck is going to
run out.
Also, Hollywood, you need to stop relying on existing
franchises and intellectual properties, just because you
think people will go to any movie with the Fantasic Four in
it, or, god forbid, yet another hopelessly masturbatory
Star Wars movie. The reason people enjoy sequels
and movie versions of comics and novels is because they
like the stories and characters. But when you throw that
out in favor of rote franchise milking with no reverence
for the original material, people aren't going to be
thrilled. Did we need two more Matrix movies that
had no respect for what made the first one good? Do you
really have to retool the Fantastic Four characters to
appeal to a younger audience at the expense of the author's
(much better) vision? Batman Begins got it right
this time, but remember the nipple suit-clad George Clooney
of Batman and Robin? Keep defiling people's
favorite stories and characters, and the movie going public
will never trust you again.
Now, Hollywood, I'm not saying that every film you make has
to be Citizen Kane. I like B-movies as much as the
next guy, but make the B-movie fun again, rather than the
overbudgeted, overwrought, product-placement filled dreck
you've been putting out every summer. The Island
fit squarely in the territory of delightful schlock film,
but it was critically panned, and nobody went to see it.
But why? It had explosions, hot actors, and even a
reasonable story. I point to the moments in the movie that
existed solely to hawk Michelob Ultra, Aquafina, and Puma.
People like being advertised to even less than they
like being pandered to. Remember when you used to make fun
slasher movies and entertaining fare of questionable merit
starring Kurt Russel? Do that! You don't have to make good
movies, and you don't have to make smart movies. You just
have to make movies that don't cross the line into the
realm of insulting.
Yes, Hollywood. There are people who will see any movie
that has Tom Cruise in it. There are people who will see
anything with fast cars and explosions. There are people
who will still go to that new Star Wars flick no
matter who it's got in it. But you can't assume that the
population of pathologically tasteless moviegoers will
always exist, and continue to grow. Now that you've got
stiff competition for America's entertainment dollars, you
need to realize that you need to get back to regularly
putting out at least a semi-compelling product. I'm pulling
for you, Hollywood, but I can't help you if you don't help
yourself.